Tag Archives: Verbal Plenary Inspiration

On Inspiration and Authorial Intent

Despite the claims of postmodern literary critics, it is reasonably certain that the meaning of any given document or literary work is grounded in and governed by its author. To put it another way, the meaning of the text is limited by the message that the writer of that text intended to communicate. This principle has been the foundation of biblical interpretation for most of the modern period, and rightly so. The Word of God comes to us through human authors who were writing to historical audiences, so we must work within the boundaries of literary and historical context in order to understand it. The problem, however, is that an overemphasis on authorial intent could relegate our interpretive efforts to nothing more than an exercise in historical investigation. But, the Word of God is more than a historical artifact; it is living and active, and its truths are just as relevant today as they were when they were first written. Over the last twenty years or so, more and more emphasis has been given to the intent of the divine author in an attempt to arrive at a more robustly theological interpretation.

However, this too has led to certain hermeneutical problems, particularly when the supposed divine intent in a given text is set in competition with or in contradiction to the human intent. This appears to be the underlying assumption of a question that was posed on Twitter a few days ago (pictured above). A pastor on Twitter recently asked, “Did the human authors have perfect/sinless intentions while writing Scripture?” Of course, Twitter polls are probably not the best resource for scholarly research, but the results are nevertheless concerning. Some 73% of respondents answered the question in the negative, meaning that almost three quarters of those who answered the poll believe that the human authors of the Bible had sinful intentions when they wrote the words of Holy Scripture. While the relationship between the human and the divine in the writing of Holy Scripture may be complex, we must conclude that this answer is out of bounds for those who believe that the Bible is the Word of God. How can sinful words be received as the Word of a sinless and righteous God? This is a contradiction in terms. As we read in Second Peter, chapter 1, verse 21, “instead men spoke from God as they were carried along by the Holy Spirit.”

Based on this text, we must affirm that there is no divine intent apart from the words of the human author. In other words, our interpretive efforts must deal directly with the words of Holy Scripture; we must labor to understand the genre, the syntax, the vocabulary, the grammatical relationships, and the literary flow of thought of the documents themselves. This is the fundamental work of biblical interpretation. There is no such thing as meaning that is separate from the text; there is no mystical or hidden Word that may be sought apart from the words on the page. Whatever the timeless supernatural theological implications of the text may be, these truths must be grounded in and derived from the actual words of Holy Scripture. In theology, this doctrine is known as verbal plenary inspiration, meaning that the quality of inspiration extends to very words that comprise the text and not just the ideas that stand behind those words. In the act of inspiration, God so worked in through and with the human authors of Holy Scripture, such that their words are His very words, thus they are without error in every way.

If their words are His words, then we may conclude that their intent is His intent as well. The difficulty, however, lies in the reality that the God of the Bible is infinite in His understanding, that He sees more and knows more than the human authors could possibly comprehend when they were writing. So, there is a sense in which the divine intent is so much more than what the human authors could understand; some have referred to this as the sensus plenior, or the fuller sense of the text. In their book Introduction to Biblical Interpretation, Klein, Blomberg, and Hubbard identify the problem with this idea, namely that “we have no objective criteria to posit the existence of a sensus, or to determine where it might exist, or how one might proceed to unravel its significance. In other words, if the human author of a text did not intend and was unaware of a deeper level of meaning, how can we be confident today that we can detect it?” To put it another way, if we understand textual meaning as something that is grounded in authorial intent, then we must assume a certain amount of similitude, if not even near identity, between the intent of both the Divine and the human author. Otherwise, we would never be able to understand what God is saying to us in any real or meaningful way.

In the final analysis, we must conclude that there is no competition or contradiction between the intent of the human the divine authors of Holy Scripture. While it is possible that the Spirit intended more than human authors, He certainly did not intend less than what they intended to communicate to their audiences through the words that they wrote. In other words, authorial intent in the Bible must be viewed as finely woven tapestry in which the human and divine is so interlaced and knitted together, such that any attempts to divide or separate them would in effect destroy its beauty and grandeur. As interpreters, we must hold these facets of the text in harmony and proceed with conviction the Bible is the very Word of God. B.B. Warfield puts it this way in his book The Inspiration and Authority of the Bible, “The Scriptures, in other words, are conceived by the writers of the New Testament as through and through God’s book, in every part expressive of His mind, given through men after a fashion which does no violence to their nature as men, and constitutes the book also men’s book as well as God’s, in every part expressive of the mind of its human authors.”

For further study, see:
Warfield, B.B. “The Divine and the Human in the Bible.” Pages 542-548 in Selected Shorter Writings, 2 Vols.


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